David Surette

One of New England's finest guitarists, David Surette has been quietly generating a growing following for his work as a soloist. His solo albums "Back Roads" and "Trip to Kemper" have helped to establish him as a top player and arranger of Celtic fingerstyle guitar, yet his diverse repertoire also includes original compositions, blues and ragtime, traditional American roots music, and folk music from a variety of traditions, all played with finesse, taste, and virtuosity. He is equally at home on the mandolin and bouzouki, and is well-known as a top-notch accompanist in New England's contra dance and Celtic music circles, and is also in demand as a studio musician and sideman. He has performed throughout the country at festivals, concerts, coffeehouses and contra dances, and in 1999 toured in Brittany, France. Since 1988 Surette has enjoyed an inspired musical partnership with singer Susie Burke, with whom he has just released a duo recording, "Sometimes in the Evening". He also plays regularly with fiddler Rodney Miller, with whom he performed at the 1999 Smithsonian Festival of American Folklife, and wth whom he has released two recordings. In addition to performing and recording, Surette maintains an active teaching schedule, and is head of the folk department at the Concord (NH) Community Music School. He has also taught at numerous summer music camps, including Augusta Heritage Festival (WV), Swannanoa Gathering (NC), Summer Acoustic Music Week (NH), and Valley of the Moon Scottish Fiddle School (CA). He was awarded an NEA travel grant in 1994 to study the traditional music of Brittany, and has written a book of Celtic guitar arrangements for Mel Bay Publications.

 

"Surette has distinguished himself among North American Celtic guitarists by his use of Breton and French materials...His technique is impeccable, and his touch and phrasing are immediately recognizable." Acoustic Guitar

"A brilliant soloist, in the acoustic celtic fingerstyle genre..." Trad Magazine (France)

"New Hampshire guitarist extraordinaire...he plays with a rare combination of exuberance and articulation." Scott Alarik folk music critic, Boston Globe

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